This has made visual subtext all the more important as filmmakers and artists look to add more depth to their creations. The inflation of images in the modern world has caused a recession of meaning – we’ve been overexposed to the point where a picture is no longer “worth 1,000 words”. He goes on to share his insights on how best to get hired for jobs. In this module Alex opens up about his biggest on-set mistakes from dropping lenses, to under-exposing shots on his Academy-award nominated short film “Johnny Flynton”. Making mistakes is an essential part to learning one’s craft. With color correction being such an integral facet of filmmaking, Alex talks about it briefly in this module, sharing the precise correct order of events that he employs to ensure he gets the best results when correcting footage either on a solo project or when working with a colorist. He breaks down his work on “Documentary Now” and how he achieved authentic looks by employing vintage lenses, and then gives a live comparison of a vintage lens next to a modern cinema lens. In this module Alex focuses on lens selection, and the differences between still and cinema glass. We finish the module by looking at high-key lighting examples, and a demonstration combining it with different flavors of filtration and diffusion. After breaking down the SNL short “Wishing Boot”, he takes us through a live demo shoot that provides a versatile approach for any music video.
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Afterwards we look at how to create contrast and control lighting in day exterior shots, using Alex’s work on the SNL short “Swiftamine” as an example.Ĭontinuing his examination of various film genres Alex tackles one of the most popular – the music video – and gives his four rules for shooting them. Using the SNL sketch “New Day” as a case study he walks us through a complete breakdown of how he lit and shot it all in just one afternoon. He then shows us some techniques that even Hollywood feature films use to shoot car scenes without requiring huge budgets.Īlex tackles one of the most difficult shots to shoot on a budget – the day exterior. In this module Alex walks us through four separate approaches to shooting a car spot, using the Lincoln Matthew McConaughey TVC and SNL’s Jim Carrey parody as an example. He gives his three strategies to combat this, along with live demonstrations to show you the exact steps to take to ensure your shots are evenly colored and gradeable.Ĭontinuing the discussion on visual styles, Alex takes us through the different sub-genres within the popular ‘Doc style’, which has gained popularity in both narrative and factual filmmaking.Ĭontinuing to deconstruct Documentary-style, Alex takes us through some live demos showing how to recreate each in an interview setting. In this module Alex discusses one of his biggest challenges on-set: Mixed color temperatures.
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In this module Alex breaks down the components of visual style, and explains the strategy that he’s used on Saturday Night Live to faithfully recreate the exact look and feel of Hollywood blockbusters, Documentaries, Promos, Music Videos, Reality TV shows and many more, all within the shortest of timeframes.Īlex continues his visual style deconstruction example from the previous module, in a firelight scene live demo that replicates a shot from “The Maze Runner”. In the first live demos of the course Alex takes us through two creative practical effects he used on the SNL 40th anniversary sequence – custom bokeh and the pixel stick – and shows how to execute the same effects.Īlex continues to showcase the in-camera effects that helped to create his memorable SNL intro, and in this module he guides us through an example of “free lensing” or “lens whacking” which gives a dreamy aesthetic to shots. Live Demo I: Custom Bokeh and Pixel Stick
His work as a Cinematographer and Producer have earned him an Academy Award nomination as well as multiple film festival awards.Īlex opens the course with an overview of the complete syllabus, then dives straight into a case study on visual style using the SNL 40th anniversary title sequence.
In the second part of the course Alex gives a masterclass on Visual Subtext, explaining the “why” behind the “how”.ĭrawing on his experience as the Director of Photography for the Saturday Night Live film unit for 17 years, Alex is able to instantly deconstruct and replicate almost any genre or visual style.
MZed – Alex Buono’s Visual Storytelling 2īuilding on the curriculum of “The Art of Visual Storytelling”, Alex Buono deconstructs the architecture of visual style, and through live demonstration shows you how to recreate various genres and looks on almost any budget.
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